You, the viewer, can be: make sure to have a box of tissues ready when watching this most romantic, and sad, of love stories.Reading the local (Belgian) reviews for this movie, you'd seriously think we're moving back in time.
And still, Emma is not prepared when the illness hits home. She also watches the couple formed by their friends Ben (Raúl Castillo) and Sam (Soko) sink when Ben’s mind goes. Emma sees some of the practical consequences of the pandemic at the animal shelter where she works - people forget to look after their dogs, who are then brought in and euthanized since nobody claims or adopts them. The hypothetical here is as simple as it is soul-crushing: What would happen if a virus destroyed the afflicted person’s memory? Emma (Olivia Cooke, just as good in a subtly poignant role as she was as a powerful rock frontwoman in “Sound of Metal”) narrates her experience watching her husband, Jude (Jack O’Connell), progressively forget who he is and what they mean to each other. Such is the case of Chad Hartigan’s film, which is lovely and heartbreaking without ever feeling manipulative or sappy. Some of the best what-if scenarios provoke tangible emotional responses. Naturally for such an unabashed exercise in pulp fiction, the ending invites a sequel. The film is big, loud, boisterous and proudly nutty. Good thing a badass warrior played by Tony Jaa (from the “Ong-Bak” series) is there to lend a hand. Every time a beastie goes down, a bigger one pops up. Jovovich’s Captain Artemis finds herself marooned in a strange landscape packed with bloodthirsty creatures, which she must defeat if she ever wants to go home. Anderson, one of the best action directors around.īased on a video game, as is so often the case with Anderson, the film is essentially an extended dash-and-fight sequence. If this makes you laugh - I did - by all means cue up the preposterously entertaining latest by Jovovich and her husband, Paul W.S. This “Monster Hunter” is the one in which a feline cook, the Meowscular Chef, prepares a meal Benihana-style for a crew of desert pirates led by Ron Perlman, who then asks a flabbergasted Milla Jovovich: “What’s the matter? You don’t have cats in your world?” If you thought drone attacks were bad, wait until you see what autonomous robots that were built to kill are capable of.ĭo not confuse this movie with the schlocky (in a bad way) “Monster Hunters.”
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The film’s ruthlessness in killing off almost every character, including women and children, may feel exploitative, but there is honesty in showing the full range of casualties caused by American weaponry. They don’t have a problem with black ops involving secret weapons until things go haywire, and “Monsters of Man” is quite good at describing the techies’ hubris and utter lack of morals, as well as their terminal naïveté: What did they think they were building, exactly? Not that the trio’s handlers are any better. Three computer nerds run what they think is a navigation test involving four mechanical soldiers being airdropped into a jungle in the Golden Triangle.
Mark Toia’s film is set during the pivotal moment when the creature escapes its maker - in this case, when military robots acquire the ability to think for themselves, go rogue and decide to kill everything in sight.